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For manuscript submission queries: 

Guernica will only accept manuscript queries by email. We no longer accept queries by snail mail. Before sending in your query, please check our website to determine the type of material that best fits our publishing house. Please note we only accept manuscript submissions between January 1 and April 30.

Aside from the original Guernica Editions queries (pertaining to literary and cultural material), we have expanded the publishing house to include the MiroLand imprint. Under MiroLand, we accept queries in the areas of memoir, how-to, self-help, graphic novels, art books, cookbooks and children’s literature, as well as genre literature.

We also house the Guernica World Editions imprint, which accepts queries year-round. Under Guernica World, we accept manuscripts from outside of Canada.

When querying to the MiroLand or Guernica World Editions imprints, please indicate as much.

Contact us:

For manuscript queries and general inquiries, please contact Michael Mirolla: michaelmirolla at guernicaeditions dot com.

For sales and marketing, please contact Dylan Curran: dylancurran at guernicaeditions dot com.

For publicity and marketing, please contact Margo LaPierre: margolapierre at guernicaeditions dot com.

About

Established in 1978, Guernica Editions has published over five hundred titles from around the world that reflect its commitment to a social agenda with a special understanding of different cultures. Under new management since 2010, to its traditional series of prose, poetry, drama, and essays, it has added two new imprints: Miroland to publish other literary genres and Guernica World Editions to publish books from authors outside of Canada.

Awards

2021

ZOM-FAM was long-listed for the 2021 League of Canadian Poets Gerald Lampert Memorial Award, and Kama La Mackerel was a finalist for the Dayne Ogilvie Prize for LBGTQ2S+ Emerging Writers.

2020

In 2020, as the global pandemic descended, Hazel Jane Plante’s debut experimental novel Little Blue Encyclopedia (for Vivian) received a flurry of awards nominations—the BC and Yukon Book Prizes Jim Deva Prize and the Publishing Triangle Award for Trans and Gender-Variant Literature—and wins: the Expozine Alternative Press award for English literature as well as the Lammy for Transgender Fiction. You can watch her acceptance speech for the latter here.

In the fall, Kama La Mackerel’s ZOM-FAM was a finalist for the QWF First Book Prize.

2019

In 2019, Jas M. Morgan’s memoir nîtisânak won the QWF Concordia University First Book Prize, and it was nominated for the QWF Mavis Gallant Prize for Non-Fiction, an Indigenous Voices Award, and a Lambda Literary Award. Jas also won the Dayne Ogilvie Prize for LGBTQ Emerging Writers.

Lindsay Nixon holding their book, smiling, at a podium. Photo credit: Writers' Trust.

Photo credit: Writers’ Trust

2018

Trish Salah was awarded an Honour of Distinction from the 2018 Writers’ Trust of Canada Dayne Ogilvie Prize for LGBT Emerging Writers.

2017

June 2017 was an eventful month for us. Two Metonymy authors were honoured with significant literary awards.

Congrats to Kai Cheng Thom, who received the 2017 Writers’ Trust of Canada Dayne Ogilvie Prize for LGBTQ Emerging Writers. Kai Cheng was presented with the award at a ceremony on June 4 in Vancouver, BC.

Less than two weeks later, jia qing wilson-yang’s Small Beauty won the 2017 Lambda Literary Prize for Transgender Fiction. Metonymy was well-represented in the category (there were three finalists in total, with Kai Cheng’s Fierce Femmes and Notorious Liars also nominated alongside If I Was Your Girl, by Meredith Russo).

2016

Small Beauty by jia qing wilson-yang was awarded an Honour of Distinction from the 2016 Writers’ Trust of Canada Dayne Ogilvie Prize for LGBT Emerging Writers.

News

New Metonymy Titles

In Fall 2021, we published two titles by local writers.

Personal Attention Roleplay is Helen Chau Bradley’s debut fiction title: an at once eerie and invigorating collection of stories, it spans Montreal neighbourhoods, swimming pools and gym mats, and the dark open road on a tour gone awry. Though their stories are diverse in points of view, length, and form, “Chau Bradley is adept at creating complex characters with inner lives and motivations that feel unique to them, while still being relatable, flawed, and human,” as Billie Gagné-LeBel wrote in a feature article in the Montreal Review of Books.

Eli Tareq El Bechelany-Lynch’s second book, The Good Arabs, was our first title of theirs, and it is also genre-defying, containing a short story at the centre of a poetry collection. El Bechelany-Lynch and Chau Bradley both include all-dialogue pieces in their work, and in The Good Arabs these occur as a refrain throughout the collection. The book’s “thoughtful, mutable, quality,” as a McGill Daily review put it, extends through its mapping of Arab and trans identity through the immensity of experience felt in one body, the sorrow of citizens let down by their countries, and the garbage crisis in Lebanon. 

Earlier, in Spring 2021, we published our first collection of short stories, A Natural History of Transition, by Portland-based author Callum Angus. Cal launched the collection virtually in a number of places, partnering with bookstores and brilliant readers and interviewers in a number of locations to discuss the ongoing nature of transness, the myth of nature as fixed and unchanging, and the element of horror in his work. Again, the collection varies in length and style — the “eight tales show a staggeringly virtuosic range” according to a Gertrude Press review — but readers comment as well on its cohesiveness.

At the beginning of 2021 we published our first picture book, the long-awaited Dear Black Girls, written by Shanice Nicole and illustrated by Kezna Dalz. A brightly illustrated, celebratory ode, this book was sought after by booksellers, community groups, libraries, and a bunch of very tiny readers, some of whom were captured reading the book in extremely heartwarming images which were passed along to the creators.